Authors
Michelle Beck Graduate Student, University of Rhode Island, Graduate School of Oceanography beinartlab.com Bluesky: @deepseaymbiosis
COLLABORATOR Asmaa Amandou MFA, Rhode Island School of Design, Textiles Portfolio
Critic
Leah Beeferman
This collaborative project brings together science and textile art to create a sculptural piece inspired by the Pompeii worm (Alvinella pompejana), a remarkable deep-sea organism that lives on hydrothermal vents at the ocean floor. These deep-sea vents release superheated, mineral-rich fluids, creating one of the most extreme environments on Earth. The Pompeii worm survives here through a close partnership with bacteria we call epibionts. This symbiotic relationship helps the worm tolerate intense heat and chemical conditions, showing how life can adapt through cooperation.
The work translates biological form into material language. Fiber textures, layered fabrics, and fringe techniques evoke the tactile complexity of microbial growth, lateral bristles, and sensory tentacles. Color choices reference the warm reds, oranges, and pale tones characteristic of Pompeii worms observed in situ, echoing the mineral-rich environments that shape hydrothermal vent ecosystems.
Constructed from thrifted garments dyed with natural pigments, the piece brings together previously separate materials into a unified form. The merging of reused textiles mirrors the symbiotic integration between worm and bacteria, where distinct components coexist to create resilience. The use of natural and synthetic dyes emphasize transformation through chemical processes, paralleling the geochemical gradients that define vent habitats.
By transforming microscopic ecological relationships into a tangible textile form, the project invites viewers to encounter symbiosis as something material and intimate. Threads and fibers become metaphors for entanglement, adaptation, and interdependence, demonstrating how collaboration, both biological and creative, can reveal new ways of understanding life in extreme environments.
INITIAL PROPOSAL NOTECARDS & SLIDES
"Asmaa helped me recognize the beauty and impact of dedicating our limited time to developing a single, high-quality piece. Narrowing the scope allowed us to think more deeply about form, color, and texture, ultimately resulting in a piece that felt more cohesive and intentional than the broader concept I originally proposed."
—Michelle
"Our process was intuitive, and a major theme throughout the project was adapting as ideas evolved. After gathering materials, we spent the first day cutting apart garments and experimenting with how each component could come together structurally. We dyed the silk using natural pigments and spent time in the RISD dye lab synthetically dyeing additional fabrics, collaborating closely on color decisions and technique. We initially envisioned the tentacle-like gill structures using red fabric treated with bleach to create tonal variation and visual depth. As the piece developed, however, we realized the material was not achieving the sculptural presence we imagined. We pivoted, ultimately shaping the tentacles from thick copper wire, which introduced an unexpected structural elegance and strengthened the sculptural quality of the piece." —Michelle
FINAL DETAIL IMAGES
Yarn Dye
© Alvinella pompejana, 2026

This material is based upon work supported in part by the National Science Foundation under EPSCoR Cooperative Agreement #OIA-1655221.
Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the National Science Foundation.