Vis-a-thon 2026

Non-Quiescence: A Year Without Sleep

Authors

Mia Sarris Undergraduate, Roger Williams University, Environmental Science and Engineering kotysharp.weebly.com Linkedin

COLLABORATOR Salma Hassaan MFA, Rhode Island School of Design, Digital + Media salmahassaan.com Instagram: @salma_hassaan

Critic

Emma Hogarth

Non-Quiescence: A Year without Sleep is an immersive installation that reflects on pause and what happens in its absence. Referencing Astrangia poculata, or Northern Star Coral, the installation integrates live and fossil coral forms, projection mapping, and an atmospheric soundscape. The Projection mapping across the live corals visualizes shifts in the coral’s microbiome over time, highlighting when microbial movement becomes more sparse and distanced during winter in response to climate change. The work questions how the elimination of pause moments due to environmental changes can affect all species on internal and external levels, as well as our connections to one another.

INITIAL PROPOSAL NOTECARDS

"From day one, I knew I wanted to create an immersive experience that transformed our audience into a coral microbiome. Originally, I drew a sketch of what would have been a coral polyp tent, where you would be entering into the coral microbiome and looking up to see an animated visualization of my data. Salma decided to play around with 3D prints, to use as sculpture instead, and ended up printing out several coral polyps and skeletons. She then overlaid animation on top of 4 coral polyps, that we fixed to the wall, and we placed the 3D skeletons on a podium near the floor. Salma also asked a friend to create a music track, and we were very pleased with the result. Having that additional element of music, with blue backlighting around the room, really made my immersive vision come to life. It was as if we were sent into the ocean!"

—Mia

"I learned that it’s fun and necessary to step back from being a scientist in order to think about your work through different perspectives. Science can be confusing, jargony heavy, and hard to digest for non-scientists, but art is something that unites us all. Being able to communicate my work through evoking feelings and emotions is just as powerful as trying to verbally explain my work."

—Mia

"What surprised me most was how the 3D models turned out once we printed them. They came out with deeply organic forms, very close to the actual feeling of coral, and yet distinctly different. That quality made the projection mapping process interesting, too, since we began mapping only after the physical model was complete."

—Salma

"What made this especially meaningful is that Astrangia poculata is native to Rhode Island, and the images came directly from Mia's research lab. The combination of generative 3D modeling with real, original source images was genuinely exciting and a first for me."

—Salma

FINAL IMAGES

Tools Used in the Project

3D Printing Audio Equipment Projection Mapping

Copyright

© Non-Quiescence, 2026

This material is based upon work supported in part by the National Science Foundation under EPSCoR Cooperative Agreement #OIA-1655221.
Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the National Science Foundation.